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“The Naturally Sacred Way Our Ancestors Danced” by an Alabama Mvskoke Keeper

“The Naturally Sacred Way Our Ancestors Danced” by an Alabama Mvskoke Keeper

Dynamic Southeastern Creek Dances

by Ghost Dancer,  a Keeper of the the Mvskoke-Creek People

The People of One Fire and Itsate-Creek Wind Clan is honored to present to you a teaching from Alabama Mvskoke-Creek Keeper, Ghost Dancer.  He was chosen by the Master of Life to spend many years studying the Sacred Path of Music and Dance.  Currently, he is in an environment and climate that has been extremely detrimental to his health.    His friends are currently working to get him moved to a community, where he can get proper health care and a climate that will restore his health, so that he will be able to more often pass on his wisdom to new generations.  Right now, one of his many afflictions is that he has to wear sun glasses, even in normal sunlight.

It is hoped that you will take the knowledge that he is providing to you and apply it to your family and community. The Sacred Path is a superior alternative to the current misery of this nation.

 

In reading and hearing other Mvskoke or Mvskoge speak in Oklahoma, I understand many claim to know the true traditional ways. Their grandfather was so and so, and it was passed down and taught to them. I listen and pay attention, and I watch what they do. I’m not saying they are wrong, but I will say this: many things they do have been influenced by other beliefs and practices. For instance, the use of peyote. During the government’s relocation of the tribes, peyote was introduced to the tribes in Oklahoma by the Comanche and the Native American Church was created.

I mention this is because I have heard many so-called experts of the traditional Mvskoke or Mvskoge ways say that the use of peyote is our tradition. This is false. We did use certain psychoactive plants for spiritual purposes or healing purposes only, but not peyote. We were known for the different poisonous plants we used. This is the reason many called us the People of the Holly.

Another practice I hear of and have seen claimed in Oklahoma as our tradition are the popular songs and dances of today that bear little resemblance to that of our ancestors. As my Native brother, Richard Thornton recently pointed out in a People of One Fire article, How Your Creek Ancestors Really Danced, descriptions of our courtship and love dances written by the earliest European explorers on our Southeastern shores reveal they were energetic and exuberant, very unlike our shuffling stomp dances that evolved over hundreds of years of direct contact with Europeans. https://peopleofonefire.com/video-how-your-creek-ancestors-really-danced.html

In contrast to the Europeans, who were suppressed in their emotions and feelings, we Mvskoke and Mvskoge were an openly affectionate and loving people.  In our courtship dances, we were unashamed in showing off to each other to attract mates and prove our love and abilities. To see the Turkey Dance, Snake Dance, Alligator Dance, Heron Dance, and Feather Dance was to enjoy the beauty of who we were and how much love we wished to show. In these sensuous dances, the teasing and the erotic beat of the drums, would drive the people into sweating bodies and raise the arousal of male and female alike.

Sometimes – well, many times – falseness was told to outsiders by all tribes to keep our ceremonies safe from outside influences. Our people thought it was a joke to tell the outsiders wild tales to hide our sacred ways. The elders of many tribes swore a vow never to speak of these things for more than 100 years and as a result, many true ways were lost on the following generations. When I have seen these dances today they are nothing like the old ways of our people. The Fancy Dance of the western tribes is more like the speed of our original dances. In doing the Turkey Dance we reflect the courtship ways of the turkey. The males are showing the ladies how powerful and beautiful they are. The ladies in turn, mimic the hens, being coy and attractive, looking all beautiful and sexy, enticing the males to dance even harder to show how powerful they are.

Ceremony – Heart of the Community

Now understanding the significance of the Green Corn and Planting ceremonies, is to understand the modern-day ribbon dance in some respects. Women do the Ribbon Dance to celebrate the power of life and rebirth they hold as does our Mother Earth. Each year she brings forth new life in a never-ending cycle. As our Mother Earth spins and turns, so do our women because life revolves in cycles and circles.

Therefore, it is so important to understand all the symbolism. All females dance at these ceremonies, from the oldest to the youngest. The youngest ones are carried in the arms and the ones who are too old and frail are lifted and carried too. We honor our connection to Mother Earth, to Grandmother Sun, and to Grandfather Moon, who is in love with them both and chases after both, affecting the energy of both mother and grandmother.  This natural dynamic reminds us that women have needs and want love and they become aroused when they enjoy having their particular needs met.

Planting Time

So, look closely at why planting is so important to our people. When planting season came there was a celebration and all members joined in. The ceremony was supervised by the head clan mother and the beloved women. Just as women have moon cycles (menstrual cycles), Mother Earth does as well. So, each year it was important that the fields were burned and cleared. I won’t go into the full planting ceremony now, but the key point to remember is that our Mother Earth’s womb was prepared and ready to accept the seeds we placed in her. We give the seeds love and all the care we can to help it grow, just as we do for a baby growing in its mother’s womb. This is why the women are in charge of these things.

We men, well we do men stuff like listen to our women. Yes, seriously we are supposed to do what we are told to do. Any man that has been around when the woman is pregnant knows full well, you are going to be busy doing this or that. And you might not tell your buddies or friends, but when mama wants something you go get it! 

We all celebrate with joyous songs and dance during the planting, because a pregnancy is beginning. We are all happy but we know we must all take care of these infants too. We all must work the fields (communal gardens) besides working our personal family gardens. Dancing is a way of celebrating our love. If a woman is pregnant and is singing and dancing, the embryo feels all of this and as it grows into an infant it feels the joy and love even more. The same is true of the plants; the seeds feel you dancing and singing your love. The plants are alive, they feel, and they feel our love. So, we love them because we know they bring life to all of us too. We share this bond with them. This dance of life. The ribbon dance is a symbol of the umbilical cord connection to all women: to our Mothers, Grandmothers and to all life. This is the reason why the women dance the Ribbon Dance.

The planting dance is the connection of love, so the females lead the dance 4 times around and then the males join in, alternating between each female, because males are needed to plant the seed of life. This is balance. We must be balanced to feel our beauty and love. This is a very romantic love dance. In the old times, the males brushed up against the body of each of the women sensuously to arouse them, smiling, teasing and attracting their love. Planting season wasn’t just for planting plants!

Green Corn Time

Green Corn is a celebration of life’s new cycle: The lighting of the new Sacred Fire and home fires. The letting go of all past deeds – gaining balance through forgiving the wrongs and making right the wrongs the people have done over the year. New friends, new goals, new cycle of life. Green Corn is a new day, a new beginning for all. It is a time of being so thankful for all you have been given.

Green Corn is also the time for new courtships and new blood lines to be introduced. Even enemies are invited now to become friends. After the blessing of the lighting the Sacred Fire being by the sacred fire keeper and beloved women, the Fire Dance is led by the fire keeper, the fire apprentices and beloved ones.  Each woman of the house, according to their position of rank, takes a burning ember from the sacred fire back to their lodge to relight the fires of each home.

A feast follows and then comes the time for the dancing to commence. The first dance will be the beautiful and sensual Feather Dance. In the Feather Dance, the women will choose their lover or mate. All is done in beauty and a sequence of moves that to see or participate will stir the emotions in anybody’s blood. The women line up on one side of the square and the men line up on the opposite side. The men all have feathers in their hands. Usually these will be crane, flamingo, heron, or duck because of these birds very beautiful courtship dances or the fact that their feathers are beautiful and feel good when teasing a woman’s body.

The men must use only the feathers to gain the attention of the woman. The woman may reject any man’s attention, so the men must dance as sensuously as they can to show off their abilities, strengths, balance, and desires. A man may bow to the ground on one leg and start at the feet of the woman with a feather in his mouth insinuating his desires. His body can get very close; just not touch the woman. The discipline the man shows demonstrates his commitment and character. If the woman rejects the man’s attentions with the feather, he moves on to the next available female.

The Butterfly Dance is similar, only the roles are reversed and the women use their shawls instead of feathers. This is the origin of the Fancy Shawl Dance so familiar today. If a woman touches a man with her shawl while she was dancing, she is signaling that she is interested in him. The woman’s body is scented in honeysuckle and wild plum blossoms, and dyes from blackberries used to accentuate her most alluring features. Dancing erotically, arms extended, a mischievous glint in her eyes and a taunting smile, she teases the man, yet he cannot touch her. He must become the male flower, swaying his body in rhythm with hers.

The rabbit dance is a love dance as well. This one the man and woman dance together as a couple and the moves become more and more complex as they dance faster and faster with lots of touching which causes accidents which are fun for dancers and all who are watching.

Now you understand why the Europeans had such a problem with the Native people’s dances.  At least on the surface, European attitudes about morality and sexuality were entirely different. They simply could not understand that the Native Peoples saw themselves as natural children of the Creator. With nothing to hide, the people were not ashamed of their bodies or their need to love and be loved.  I hope this gives everyone a better insight.

 Respectfully, Ghost

Ghost Dancer July 2017 ©

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Richard Thornton is a professional architect, city planner, author and museum exhibit designer-builder. He is today considered one of the nation’s leading experts on the Southeastern Indians. However, that was not always the case. While at Georgia Tech Richard was the first winner of the Barrett Fellowship, which enabled him to study Mesoamerican architecture and culture in Mexico under the auspices of the Institutio Nacional de Antropoligia e Historia. Dr. Roman Piňa-Chan, the famous archaeologist and director of the Museo Nacional de Antropologia, was his fellowship coordinator. For decades afterward, he lectured at universities and professional societies around the Southeast on Mesoamerican architecture, while knowing very little about his own Creek heritage. Then he was hired to carry out projects for the Muscogee-Creek Nation in Oklahoma. The rest is history. Richard is the Tribal Historic Preservation Officer for the KVWETV (Coweta) Creek Tribe and a member of the Perdido Bay Creek Tribe. In 2009 he was the architect for Oklahoma’s Trail of Tears Memorial at Council Oak Park in Tulsa. He is the president of the Apalache Foundation, which is sponsoring research into the advanced indigenous societies of the Lower Southeast.

3 Comments

  1. wrdwevr@comcast.net'

    Thank you, Richard, for sharing Ghost’s writing. He will be deeply honored. The fact is, we cannot fully return to the old ways, but if we are wise, we will look at them with more open eyes and learn the principles our European ancestors failed to grasp. Ghost is currently working on writing descriptions of other dances for kids and adults that were fun, but also taught lessons about forgiving those we have conflicts with and also the importance of cooperation and working together. He writes slowly because of his physical disabilities, but what he has to say is always meaningful and thought provoking.

    Reply
  2. adamfreeman1861@gmail.com'

    With respect to Ghost Dance, I suppose he has never seen Europeans dancing the “Turkey in the Straw”, “square” dancing or “clogging” or “jitter-bugging” or “dirty ” dancing or “twisting” or Benjamin Franklin doing the “hop” dance ? Just as the NAIA style of dancing changed, so has the European style changed.

    As for his statement that implied Europeans were “ashamed of their bodies”, possibly he has never seen European dresses that showed most of the women’ s breasts and part of certain dances in the past was to bow to their partner, thus showing off their cleavage.

    In praising our traditions, we should not use that as an opportunity to denigrate other’s traditions, should we? There has been enough of that done by both sides already.

    Reply
  3. wakefieldrising@gmail.com'

    Always a blessing to receive Wisdom from our Elders! My first tree house was in the boughs of a Holly Tree.

    Reply

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